
Walker Percy was born in Birmingham, Jefferson County, on May 28, 1916, to LeRoy Walker and Martha Susan Phinizy. He had two younger brothers, LeRoy and Phinizy. His father was a lawyer who worked for coal and iron companies, an important industry in Alabama during the first half of the twentieth century. The family lived in the wealthy Mountain Brook community of Birmingham, and young Walker attended Birmingham University School, one of the best private schools in the state and now known as the Altamont School.
The Percy family was prominent in the South. On his father's side of the family, he was related to LeRoy Pope Walker, secretary of war under Confederate president Jefferson Davis and a brigadier general in the Confederate Army as well as LeRoy Pope, a founder of Huntsville. Walker Percy's grandfather's brother, LeRoy Percy, was a U.S. Senator from Mississippi from 1911 to 1913. His son, William Alexander, a poet and man of letters, wrote Lanterns on the Levee (1941), a book that provides an important study of the southern culture prior to World War II. On his paternal grandmother's side, Walker Percy was related to the DeBardeleben family of industrialists who helped develop Birmingham into a manufacturing center at the turn of the twentieth century. His mother came from a prominent family in Athens, Georgia. On February 8, 1917, Walker Percy's grandfather committed suicide, as did his 40-year-old father on July 9, 1929. One of the greatest traumas of Percy's life was his father's death, which he explores through his character, Will Barrett, in a fictional way in The Last Gentleman and The Second Coming.

While an intern at Bellevue Hospital in New York, Percy contracted tuberculosis and subsequently spent September 1942 to August 1944 at the Trudeau Sanatorium near Saranac Lake, New York. He required complete bed-rest, and during this time he started reading theology, philosophy, and literature, particularly the works of Søren Kierkegaard, Jean-Paul Sartre, Albert Camus, Thomas Mann, Leo Tolstoy, and Feodor Dostoevsky. After completing his treatment, he suffered a relapse in 1945 and spent four months recuperating at another sanatorium in Wallingford, Connecticut. Realizing that almost no one would consult a physician who had tuberculosis, Percy returned to the South, specifically to New Orleans, where he abandoned medicine as a career. In 1946, he married Mary Bernice "Bunt" Townsend, a medical technician, whom he had known from his days in Greenville. At that point, Percy had no specific plans, though eventually he decided to start writing articles about the origin and theory of language, which he gradually interspersed with the writing of fiction. For Percy, the 1950s were a time of discovery, as he experimented with various forms of writing.
When Percy and his wife arrived in New Orleans, both decided to convert to Roman Catholicism. In addition to the fact that one of his mother's sisters had converted to Catholicism, some of his Catholic classmates in college and medical school greatly influenced him in looking for a spiritual center to his life that had been absent since the deaths of his parents. Though never one to preach about his newfound faith, he did write about it in his essays "Why Are You a Catholic?" and "A 'Cranky Novelist' Reflects on the Church," both reprinted in Signposts in a Strange Land. In addition, Percy's spiritual beliefs would influence heavily the tone and texture of his later writings, not that his characters dramatically depict the tenets of Catholicism, but that some, such as Will and Allie in The Second Coming (a title taken from "The Book of Revelation"), seek signs in the world that can lead to loving, Christian relationships.

His two early attempts at novels were unsuccessful: The Charterhouse, which he began writing during his honeymoon and then purposely and, for his readers, unfortunately burned, and The Gramercy Winner, which remains unpublished. Both works, however, paved the way for what is undoubtedly his most famous novel, The Moviegoer, which he finished in the spring of 1959 and was published in 1961 by Alfred A. Knopf. It won the National Book Award for fiction the following year. Drawing on the landscape of New Orleans and the Mississippi River Basin, Percy depicts the main character, Binx Bolling, struggling to find his identity in a world into which he seemingly does not fit, but is, in fact, the world in which he chooses to live. Influenced particularly by Camus and Kierkegaard, Percy stresses in this novel the interrelated notions of freedom and responsibility as Binx makes a series of decisions that seem to lead him to a marriage and career that just might succeed. In a sense, Binx is an anti-hero, unsure of himself and reluctant to plan for a future that might lead, if he is not careful and does not follow his better instincts, to one detour after another.
Percy went on to write five other novels—The Last Gentleman (1966), Love in the Ruins (1971), Lancelot (1977), The Second Coming (1980), and The Thanatos Syndrome (1987)—as well as two works of nonfiction, The Message in the Bottle (1975) and Lost in the Cosmos (1983). Though all his novels take place in the South, he believed that his fiction had more than regional appeal, though many critics have tended to label him as a "southern writer."
In each of his novels, Percy explored a different, yet related, theme, though it is possible to say that, in general, he integrated a philosophical, linguistic, and religious sensibility as he portrayed people who live in a disordered twentieth century. His essay entitled "The Fateful Rift: The San Andreas Fault in the Modern Mind" in Signposts in a Strange Land provides an excellent summary of his desire to integrate the various facets of human knowledge and expression. He particularly wanted to show relationships between science and the arts by demonstrating that human beings are unique in their ability to symbolize the world about them through the use of language and philosophy, because the view of the world we get from science alone is radically incoherent. He believed that people who seek answers to life's basic questions by relying on science alone will be deceived in the long run. In his quest to discover and portray reality in his fiction and nonfiction, he incorporated the insights of the nineteenth-century American philosopher Charles Sanders Peirce. Though Percy is less well read today than during his lifetime, his literary legacy is indisputable in that among American novelists he is the rare author who depicts characters, often resembling modern-day wayfarers or pilgrims, who might achieve happy endings if their lives continue to fall into place correctly. His novels tend to conclude with a sense of hope as his protagonists co-create the world about them.
Walker Percy died from prostate cancer on May 10, 1990, and is buried in the cemetery of St. Joseph's Abbey outside Covington.
Works by Walker Percy
Novels:
Works by Walker Percy
Novels:
The Moviegoer (1961)
The Last Gentleman (1966)
Love in the Ruins (1971)
Lancelot (1977)
The Second Coming (1980)
The Thanatos Syndrome (1987)
NonFiction and Letters:
NonFiction and Letters:
The Message in the Bottle (1975)
Lost in the Cosmos (1983)
Signposts in a Strange Land (1991)
A Thief of Peirce: The Letters of Kenneth Laine Ketner and Walker Percy (1995)
The Correspondence of Shelby Foote and Walker Percy (1996)